mobile-menu mobile-menu-arrow Menu

August 9 2017

 

 

Klatwa-Magdaleny-_bn27105

 

 

I’ve been spending quite a bit of time in London in the Spring of 1941. Bombs are falling, food is rationed, soap is scarce and the blackout has facilitated an unprecedented crime wave. I’ve been to other places too. I started out at the commando school on Lord Lovat’s estate in the Scottish Highlands. From there it was a bumpy plane ride and parachute drop into occupied France. Back to London, a bit of training on one of the Solent sea forts and then off to Norway aboard a Royal Naval vessel disguised as a trawler. Though in the event, not well enough disguised. Much of this done in the beguiling company of a young woman named Amelia Dunford, who might actually be her twin sister Celine.

Before I began writing as F.G. and filling my pages with spectres I wrote as Francis. My debut novel was an espionage story set at the height of the London Blitz. This novel, with the working title Hercules Road, has the same hero, a step further on in his journey to becoming an intelligence agent in the Cold War about as far removed from James Bond as it’s possible to get. He’s a working-class lad from Liverpool with an Irish-Catholic Fenian ancestry that sees him conflicted serving his Whitehall masters. His role brings him into contact with women far removed from his own social class. But there’s not an ounce of misogyny in Jack Finlay. He has the respect for women bred in a boy brought up by his mother alone. Given the rigid class barriers of the period, he’s both an anachronism and a bit of a loner. But I quite like that about him.

Some of you will be dismayed to read this because you’re fans of ghost stories, or at least stories with some element of the supernatural about them. But I haven’t given up on writing the F.G. stuff at all. I’m well into the Jericho Society novella mentioned earlier and set mostly in The Bartered Oath, a pub not just with an enigmatic name but with a distinctly dubious past. I’m halfway through Ruthie Gillespie’s first stand-alone novel and still greatly enjoying the company of the mischievous Ventnor Goth.

I wrote the first draft of Hercules Road in 2012. It wasn’t quite there structurally and so I put it away and got on with other things (specifically The Memory of Trees and The Lazarus Prophecy). But Christopher Nolan’s track-record suggested Dunkirk would be a successful film and I knew its young cast would bring a fresh audience to the subject of WW2. So I got the novel out and fixed what was wrong with it and we’ll see what happens from there. Jack has seen a ghost, by the way. He saw his father, in his infantry uniform, polishing the blade of his bayonet at the kitchen table at his Bootle home late one evening as a teenager. Except that Jack’s father perished at the Battle of the Somme when his son was only six years old…

Ghosts. Can’t keep away from them. Just hope they go on keeping away from me.  Today’s picture is the Polish cover of The Magdalena Curse. I always think of it as the Nigella cover, because I think it quite strongly resembles a certain famous television cookery person, possibly a moment after eating something rather tasty.

 
◄  Back to news

‘A treasure trove of dark dreams and sinister sorcery’ –The Times

I’d like to send you a book, for free – the debut appearance of my favourite character, Ruthie.  

You just need to tell me where to send it…

Web design by Creatomatic